To multiple generations of emerging and established artists, Nashville is nirvana, a music mecca, a fulcrum for serious songwriters who don’t just make music for a living, but for whom music is life. For years now, Tony Lucca has had the energy and spirit of Music City coursing through his veins, a seemingly life-sustaining flow of inspiration that in part served as the lifeblood for the writing, recording and producing of his current self-titled album, the eighth full-length studio set in his notable canon. “When you go into a writing session, you gotta know who you’re writing for… and then you dig in,” says Lucca, who at this stage in his career has become a seasoned songsmith. “I learned a lot right off the bat, because again, doors were flying open for me that would of otherwise stayed shut.”
For Lucca, who was raised in a very large musical family in yet another American music mecca, Detroit, home to Motown, the constant opening of professional doors started when he was very young. But arguably the most divinatory door that’s opened for him was the one he walked through where his sonic sojourn began. “There was definitely this moment that the dream was born as a kid, where my eyes got real wide,” says Lucca. “Walking into a music shop in Detroit when I was probably seven or eight, and just seeing rows and rows of guitars on the walls, and I was like, holy cow, that is awesome. I want all of them.” Though he didn’t get them all, one would do. By the age of 12, his already well-honed musical talent literally began to pay dividends, after earning his first few bucks for a gig at a junior high school dance.